The XReality Center is a new research center at The New School in New York City. Its purpose is to advance the study and design innovation of emerging technologies in the areas of virtual, augmented, and mixed realities.
FOUR BUILDING BLOCKS
A resource hub for XR activities and initiatives happening within the university.
Explore and experience what XR has to offer in order to create pedagogically sound immersive learning interactions and to gain insight into a project or initiative using emerging immersive technology.
PRODUCTS AND PROJECTS
A collaborative environment for students and faculty to develop XR initiatives and a place where products can be developed for and/or with external clients and partners.
Research will be conducted on an ongoing basis in order to comprehend how to effectively utilize this emerging technology in the education sector.
MEET THE TEAM
The XReality Center is made up of collaborative efforts from the XReality founder and staff, faculty committee, and students assistants.
Maya Georgieva is the Director of Education Futures and she leads the XReality Center at The New School. Maya has delivered talks on XR, Immersive Storytelling and Learning at the MIT Media Lab, SXSWedu, EDUCAUSE, Fulbright, joint session between European Commission and European Parliament among others. She is the co-founder of Digital Bodies, an award winning website focusing on VR/AR/MR and their impact on education, media and society. She has facilitated master classes and talks on Immersive Storytelling, VR/AR/MR and New Media Narratives, Innovation in Higher Education and the Future of Learning. Maya has been featured in The Atlantic, The Economist and other publications.
Tomas is the VR Specialist at the XReality Center. He helps facilitate workshops and provides ongoing assistance to students immersive projects. Tomas is BFA graduate from the New School for Drama with a minor in Immersive Storytelling from Parsons. He is interested in Mixed Reality and the use of the Magic Leap One Headset. Tomas uses his experience in theatre to create immersive mixed reality experiences for the stage.
Sven Travis is Associate Professor of Media and Design. Sven is a tall bald guy who talks too much and tells bad jokes. He listens to loud music. Sometimes he is instructed to turn it down. He grew up in Wisconsin, a big fan of the Green Bay Packers and the UW Madison Badgers. He likes to ride bikes and ski. At the moment he is vegan. He is Associate Professor of Media and Design. More...
Anezka Sebek designs curricula in BFA/MFA Design and Technology Programs in virtual, augmented and mixed reality technologies, as well as teaching in studio and thesis courses. Before teaching full-time, her extensive career in the film industry includes projects for television, advertising, documentaries and feature films. More...
Daniel is an artist who creates interactive installations and site-specific interventions dealing with the cultural and social implications of emerging technologies. His research is driven by a curiosity about the ways in which technologies shape and transform urban spaces and civil liberties. More...
Vladan Nikolic is an award-winning filmmaker and producer, who has written, directed and produced feature films, documentaries, and immersive multi-platform media projects. He was among the digital filmmaking pioneers in the 1990’s; his films were awarded at numerous top US and international film festivals. More...
Kyle Li is the program director of BFA Design & Technology. His has a diverse background in interactive/game design, American art history, and physical computing. Similar to many other Parsons Alumni, his design voice emerged while he was a MFADT candidate here in 2006. Design & Technology is built on a sustainable and customizable design process that enables designers to work and continue working in the world of ever-changing technology. More...
Harpreet is an Assistant Professor of Interaction and Media Design at Parsons School of Design. His research is situated at the intersection of Material Science, Biology and Electronics and draws on the complementary abilities of the biological and artificial worlds. He terms this as 'Convergent Design' and creates cutting edge bionic materials and hybrid substrates that lend themselves for future ecological machinery, sensing systems and interaction design. More
The central focus of my research and teaching is on how media-old and new-transform both everyday experience and expanded global, political spheres. As part of my work as a media historian and theorist, I am interested in film, post-cinema, animation, emerging media (including VR, AR, MXR), literature, cultural theory, and science and technology studies.
In my first book, The Animatic Apparatus: Animation, Vitality, and The Futures of the Image (Zero Books, 2018), I show how the ascendance of animation and simulation shift the concept of “life” in contemporary culture and call on us to rethink central concepts of ethics in response to these changes. Media examples, drawn from animation, anime, pop culture, and the historical imaginaries of artificial life, feature prominently.
In my current book project, “Rendering Worlds,” I investigate the novel world making capabilities of new media, and suggest that these may help us to address the actual state of emergency today: how to enable pluralism and promote ecological regeneration in the era of planetary computing and post-truth. I demonstrate how the technical and aesthetic affordances of post-cinema, digital animation, and VR allow us to create and experience worlds that model and enable new forms of sociality. You can find an essay I wrote on VR here: "Five Theses on Virtual Reality and Sociality".
Born in Bucharest, Filipino-American Levy Marcel Ingles Lorenzo, Jr. works at the intersection of music, art, and technology. On an international scale, his body of work spans custom electronics design, sound engineering, instrument building, installation art, free improvisation, and classical percussion. With a primary focus on inventing new instruments, he prototypes, composes, and performs new electronic music. As an electronic art consultant, Levy designs interactive electronics ranging from small sculptures to large-scale public art installations with artists such as Alvin Lucier, Christine Sun Kim, Ligorano-Reese, and Leo Villareal. As a percussionist, he co-founded the experimental theater/electronics duo Radical 2 with Dennis Sullivan and is a member of the Peter Evans Septet. As a sound engineer, he specializes in the realization and performance of complete electro-acoustic concerts with non-traditional configurations. One of his main engagements is Claire Chase's Density 2036 project. A core member of the acclaimed International Contemporary Ensemble (ICE), he fulfills multiple roles as live sound engineer, electronicist, and percussionist.
His work has been featured at STEIM, Harvestworks, MIT Media Lab, Ensemble Moderne, Darmstadt, Yellow Barn, Pitchfork.com, Slashdot.org, G4TV, Grey Group, Bose, The New York Times, BBC, and Burning Man. An advocate for interdisciplinary arts, he has collaborated with dancers, video artists, public artists, mathematicians, sculptors, architects, and dramaturgs. Bridging the gap between the electronics design cycle and the performance practice of cutting-edge contemporary music, Levy is as equally comfortable wielding a soldering iron as drumsticks and four-mallets. He has fluency navigating hardware schematics and coding in various software environments, as well as interpreting complex musical scores and playing chamber music.